
48 channel / 36 bus digital mixer
SQ-7 is the 33-fader flagship console in the SQ series, powered by Allen & Heath’s revolutionary 96kHz XCVI FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-7 offers pristine high-resolution audio quality and an ultra-low latency of <0.7ms. The console features 32 exceptional onboard mic preamps, plus 8 stereo FX engines with dedicated stereo return channels and access to the renowned RackExtra FX library. SQ is a natural choice for in-ear monitor setups, providing 12 stereo mixes (configurable as groups or auxes), whilst Automatic Mic Mixing makes it an excellent choice for conferences, panel talks and more.


SQ comes equipped with all the processing you need to craft the perfect mix. Every one of the 48 inputs has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser, and Peak/RMS compressor for control and shaping of levels and transients. Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required. The XCVI core even allows for every compressor in SQ to have its own parallel path, without phase or coherency worries.
DEEP – Proven on countless world-tours with international artists, the DEEP Processing from our award-winning dLive digital mixing system is now available within your SQ.
No 3rd party hardware, no added latency, no hassle – just studio-quality processing on every channel.
RackExtraFX – RackExtra FX Add-Ons expand SQ’s FX Rack with powerful new processors.
Pick the perfect processing suite, tailored to your specific requirements.
SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.
SQ has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.
With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ’s dashboard is centred around a high-res 7” capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
We know that the live environment can be tough on gear – that’s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.
SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart’s content. It’s compatible with leading audio networking standards too – add an audio networking card such as Dante, MADI or Waves to SQ’s I/O port and you’re ready to integrate with installed systems, provide a digital FoH / Monitor split and more.
SQ’s advanced automatic mic mixers (AMM’s) make it a natural choice for mixing conferences, panel talks and TV shows. They’re fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system. Two fully independent 24 channel AMM’s can be utilised for two zones or combined into a single 48 channel AMM for larger events.
The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.
Also provided is a built-in 32×32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIOTM compliant and comes complete with MIDI and DAW control capabilities.
There are two essential apps for SQ – SQ MixPad for engineers and SQ4You for performers.
SQ MixPad app is available free on iOS, Android, Windows and macOS platforms, providing offline editing and online wired or wireless control of the main mixing functions.
SQ4You is a personal mixing app to accompany SQ series mixers, allowing up to 8 performers to control their own monitor mixes from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.
With no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.
SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander.
Data sheets, manuals and resources for the SQ-7

Our AV experts are ready to help you find the perfect solution for your project.
SQ comes equipped with all the processing you need to craft the perfect mix. Every one of the 48 inputs has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser, and Peak/RMS compressor for control and shaping of levels and transients. Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required. The XCVI core even allows for every compressor in SQ to have its own parallel path, without phase or coherency worries.
DEEP – Proven on countless world-tours with international artists, the DEEP Processing from our award-winning dLive digital mixing system is now available within your SQ.
No 3rd party hardware, no added latency, no hassle – just studio-quality processing on every channel.
RackExtraFX – RackExtra FX Add-Ons expand SQ’s FX Rack with powerful new processors.
Pick the perfect processing suite, tailored to your specific requirements.
SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.
SQ has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.
With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ’s dashboard is centred around a high-res 7” capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
We know that the live environment can be tough on gear – that’s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.
SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart’s content. It’s compatible with leading audio networking standards too – add an audio networking card such as Dante, MADI or Waves to SQ’s I/O port and you’re ready to integrate with installed systems, provide a digital FoH / Monitor split and more.
SQ’s advanced automatic mic mixers (AMM’s) make it a natural choice for mixing conferences, panel talks and TV shows. They’re fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system. Two fully independent 24 channel AMM’s can be utilised for two zones or combined into a single 48 channel AMM for larger events.
The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.
Also provided is a built-in 32×32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIOTM compliant and comes complete with MIDI and DAW control capabilities.
There are two essential apps for SQ – SQ MixPad for engineers and SQ4You for performers.
SQ MixPad app is available free on iOS, Android, Windows and macOS platforms, providing offline editing and online wired or wireless control of the main mixing functions.
SQ4You is a personal mixing app to accompany SQ series mixers, allowing up to 8 performers to control their own monitor mixes from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.
With no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.
SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander.
| INPUTS | |
| Mic/Line Inputs | Balanced XLR, fully recallable |
| Input Sensitivity | -60 to +0dBu |
| Switchable Pad | -20dB |
| Analogue Gain | 0dB to +60dB, 1dB steps |
| Maximum Input Level | +30dBu |
| Input Impedance | >7kΩ |
| THD+N, Unity gain 0dB | 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz) |
| THD+N, Mid gain +30dB | 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz) |
| Phantom Power | +48V (+3V / -2V) |
| STEREO LINE INPUTS | |
| ST1, ST2 connectors | Balanced, 1/4" TRS jack |
| ST3 connector | Unbalanced, stereo 3.5mm Mini Jack |
| Input Sensitivity (ST1, ST2 / ST3) | Nominal +4dBu ST1, ST2 / 0dBu ST3 |
| Trim | +/-24dB |
| Maximum Input Level (ST1,ST2 / ST3) | +22dBu / +18dBu |
| OUTPUTS | |
| XLR Outputs | Balanced, XLR |
| Outputs A and B | Balanced 1/4" TRS Jack |
| Source | Patchable |
| Output Impedance | <75Ω |
| Nominal Output | +4dBu = 0dB meter reading |
| Maximum Output Level | +22dBu |
| Residual Output Noise | -90dBu (muted, 20Hz-20kHz) |
| AES Digital Output | Balanced XLR 2 channel, 96kHz sampling rate (Default with SRC Bypassed) Switchable output sample rates,44.1kHz/ 48kHz/ 88.2kHz/ (96kHz) 2.5Vpp balanced terminated 110G |
| SLINK | |
| Connection | Neutrik EtherCON (RJ45) |
| dsnake mode (48kHz devices) | 40 input 20+40(ME) output channels |
| dx mode (96kHz devices) | 32 input 32 output channels |
| gigaACE/GX (96kHz devices) | 128 input 128 output channels |
| Inputs | Fully Patchable |
| Outputs | Fully Patchable |
| Sync/SRC | Assignable as master audio sync |
| I/O PORT | Multi-channel I/O option module |
| SYSTEM | |
| Dynamic Range | 112 dB |
| Frequency Response | +0/-0.5dB 20Hz to 20kHz |
| Headroom | +18dB |
| Internal operating Level | 0dBu |
| THD+N, Mic/Line routed to Main L/R Out | Unity gain faders@0dB, 0.006%, -84dBu (20 - 20kHz) |
| dBFS Alignment | +18dBu = 0dBFS (+22dBu at XLR output) |
| Meter Calibration | 0dB meter = -18dBFS (+4dBu at XLR out) |
| Main Meter Type | 2 x 12 segment, fast (peak) response |
| Channel Meter Type | Chromatic Channel Metering, fully programmable colour/brightness |
| Peak Indication | -3dBFS (+19dBu at XLR out), multi-point sensing |
| Sampling Rate | 96kHz |
| Bit Depth | Uses XCVI core custom bit widths in algorithms, up to 96bits |
| Latency | <0.7mS, Local Mic Input to Main L/R |
| Operating Temperature Range | 0 deg C to 40 deg C (32 deg F to 104 deg F) |
| Mains Power | 100-240V AC, 50/60Hz |
| Max Power Consumption | 110W |
| DIMENSIONS & WEIGHTS | Width x Depth x Height |
| Desk mounted | 804 x 514.9 x 198 mm (31.7" x 20.3" x 7.8") |
| Packed in shipping box | 960 x 685 x 360 mm (37.8" x 27" x 14.2") |
| Unpacked weight | 17.8 kg (39.3 lbs) |
| Packed weight | 21.9 kg (48.3 lbs) |
About Penguin Media Solutions
Penguin Media Solutions is a professional audio, video, and lighting design, installation, and maintenance company based in Brighton, UK. As an authorised Martin Audio dealer, we provide high-performance AV systems for commercial venues, hospitality, and event spaces across Brighton, London, and South-East England.
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